advertisement
Every year since 1986, the Les Victoires du Jazz Awards selects France’s best jazz musicians. In 2017, all the nominees in all categories were men. Two decades ago, this would not have been a story, but today, it stands out and shows that there is something off and obsolete about this old boys’ club. It may have also been the case that, 20 years ago, female jazz musicians may have been reluctant to kick up a fuss. Fortunately, not anymore.
The 66-year-old veteran French bass player, Joelle Léandre, wrote an open letter to Les Victoires, where she criticised the awards and asked the obvious question:
Jazz has always been about taking risks and spearheading aesthetic and social revolutions. It served as a fundamental voice against racial and social discrimination and as a crucial vehicle for promoting democracy and intercultural dialogue.
The gender-stereotyping of musical instruments, a study conducted by Ables and Porter in 1978, showed that respondents perceived some instruments such as the drums, trombone and trumpet more often regarded in jazz bands as “masculine”, whereas the flute and violin were seen as “feminine”.
The profusion of inner circle misogynistic jokes within the music world, as well as the tokenistic way all-female bands in the 1930s and 1940s were publicised, only helped feed the notion that a woman playing the saxophone was something exotic and entertaining. Judy Chaikin’s 2011 documentary The Girls In The Band exposes the struggle women had to endure against objectification in jazz.
Today, women take leading positions in jazz education, research and promotion. Monika Herzig, chair for the Jazz Education Network Research Interest Group (JENRing), or Ros Rigby, the president of the intra-European jazz promoters’ network Europe Jazz Network, are perfect examples. And, to be fair, even Les Victoires has given awards to female artists in the past – Anne Paceo (drums) and Airelle Besson (trumpet) are among the very few.
But try to think of a movie (apart from the comedy Some Like it Hot) where you can find a woman playing an instrument in a jazz band. I’ll spare you from looking into La La Land (2016) or Whiplash (2014) – they’re not in there either. And that is only the visible side of a still rather male-dominated world.
Gender discrimination is not exclusive to the jazz world. Every year in January, Revolver magazine issues their “Hottest Chicks in Hard Rock” calendar, where female musicians are depicted in sexy poses with their instruments. At a press conference in June 2016 in Australia, where she was launching her ‘Björk Digital’ exhibition, Björk stated:
Also Read: There are Still Many Unspoken #MeToo Stories
But it would take nine more years and a passionate media campaign for any more women to be hired.
In 1967, George T Simon wrote in his book The Big Bands:
Simon started as a drummer and was one of the most influential jazz commentators during the swing era, as associate editor and then editor-in-chief of Metronome. Women had proved him wrong way before he wrote that.
Inspired by the #MeToo movement, several jazz female musicians from around the world founded “We Have Voice” against sexual violence and gender discrimination in music. It’s quite interesting that the first article in their manifesto online states their “commitment to creating a culture of equity in our professional world”.
These are informed, educated, travelled and successful musicians who will not take it anymore. This is a new generation of women who are pointing out what is absolutely obvious today – equality is inherent to music.
(This is an opinion piece and the views expressed above are the author’s own. The Quint neither endorses nor is responsible for the same. This article was originally published on The Conversation. Read the original article here)
(We Indians have much to talk about these days. But what would you tell India if you had the chance? Pick up the phone and write or record your Letter To India. Don’t be silent, tell her how you feel. Mail us your letter at lettertoindia@thequint.com. We’ll make sure India gets your message)
(At The Quint, we question everything. Play an active role in shaping our journalism by becoming a member today.)
Published: undefined