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Amrithvarshini Manishankar, a seventh standard student, is one of the youngest thavil vidwans in India, and possibly one of the few women players of the instrument in the country. Traditionally considered the forte of men, Amrithavarshini plays the heavy percussion instrument with ease.
“Women can also do it,” Amrithavarshini says. “Women’s contribution to these arts is essential in today’s social environment.”
Training under Aadhichapuram AB Ramdoss and Kovilur KG Kalyanasundaram, she has been playing since the age of five. She spends only two hours at practice each day because, as she says, “I have to study as well!”
The thavil, an instrument native of Thanjavur, is a barrel-shaped percussion instrument from Tamil Nadu. Traditionally used in folk and Carnatic music, it is also played in temples. Owing to the specific occasions on which it is played, Amrithavarshini says, “This is a ritual based instrument.”
It is usually accompanied by the nadaswaram.
While the barrel is generally made of wood from the jackfruit tree, the beats are rendered on stretched animal skin – usually goat on the left and water buffalo on the right.
With her father being a thavil player himself and her mother a scholar of music, Amrithavarshini says:
The thavil was predominantly played by hanging the instrument on the player’s shoulder. Amrithvarshini says:
Amrithavarshini, who boasts of having performed over 200 shows, including for the government, has also been appreciated by Karunanidhi.
(This article has been published in arrangement with The News Minute)
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