Alia, Ranveer Walk for Manish Malhotra in a Muted ‘Sensual Affair’
Manish Malhotra rethinks the Indian wedding, with Alia and Ranveer, but trips at the seventh step.
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A grey bride at a winter wedding? I watched Manish Malhotra’s latest collection with bursts of excitement and a flicker of hope that we may have just about seen the end of the tropical avalanche of fuchsia, purple and red that flows through every Desi wedding. If you can get male strippers to a bachelorette bash, you certainly can ditch the reds and maroons. Grey, white, black, beige – Malhotra seemed to be bringing verve and an urban temperament to that hangman’s altar of our lives... erm, I mean aesthetics.
Manish Malhotra seemed all set to reimagine the Indian Wedding; but then tripped at the seventh step. At the end of the show, he declared.
Perhaps we will have to wait some more to see brides taking pheras in exquisite greys and whites and blues.
The question that is begging to be asked is why have even the top designers of the country shied away from pushing the envelope?
When Alia Bhatt and Ranveer Singh walked the ramp for the closing show at India Couture Week 2017, the Delhi audience went into a tizzy. Malhotra, a Bollywood favourite, wouldn’t have found it too difficult to get the high-energy duo to showcase his creations. Similarly, he wouldn’t have broken a sweat in creating his latest collection – called ‘Sensual Affair’. It was perhaps Malhotra at his safest.
Drama and frills come naturally to Malhotra. While this largely monochrome collection, with an overwhelming presence of champagne hues, was aesthetically pleasing, it lacked newness. As against his 2016 collection, The Persian Story. there were hardly any new cuts or silhouettes.
Malhotra’s love for beads and sequins was on display once again, as he created drama with an opulence of tulle, lace and embroidery.
Western influences were neatly blended with the Indian style sensibility.
While Malhotra celebrated the individuality of cut and colour, he did so only in a safe operating zone, the pre- and the post wedding events. It is easy to go grey, white, and even black in spaces where tradition didn’t have a choke-hold to start with.
Yes, it is high time red was held accountable for its monopoly over the Indian wedding. Noyonika Chatterjee’s ensemble made it abundantly clear that the trend of garish overload of red needs to go if the colour hopes to stay relevant. Full marks to Malhotra for that.
It is these subtle revolutions that pumped up my hopes higher than Alia Bhatt’s heels. Maybe the trendsetting designer is raring to go for a radical makeover of the Indian bride who is getting bolder by the day. Malhotra’s designs for Bollywood, both onscreen and offscreen, have set trends. Should he not have, then, flexed his muscle and said, “Enough! Let’s recalibrate our reds and get our brides to say “I do” in colours and cuts that make them stand tall, minus the excruciating pain that comes with high heels and, most importantly, boredom”?
Is it the market that governs even the highest rated couturier’s aesthetics?
Let alone stopping Indian fashion from taking the much awaited leap into the global scene, this restraint is what keeps it from having a clearly defined, and distinct, modern Indian sense of sartorial beauty.
He got Ranveer Singh, the poster boy of sartorial iconoclasm, to walk for him. This was Malhotra’s moment which he sadly squandered in favour of caution. During their post-event banter, Alia revealed how “Manish would rein Ranveer in” while the latter moon-walked and went characteristically crazy during the fittings. She said Ranveer wanted to let out all his “bhadaas during the rehearsals” since he was supposed to behave in his showstopper avatar on the ramp.
Bollywood hasn’t earned much laurels in the department of the freedom of spirit. What better person to point out that the emperor has no clothes than the modiste himself, you leave wondering. If only Malhotra could be the one.
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