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Saddam Hussein, the fascist who ruled Iraq for over two decades, also took time out to write three novels in his lifetime. His last book is being translated into English for the very first time by UK’s Hesperus Press, as a way to mark his 10th death anniversary in December 2016.
The untitled piece of fiction is being described in publishing circuits as a cross between HBO’s hugely popular periodic drama The Game of Thrones, and Netflix’s shrewd American political series, House of Cards. Saddam’s book is reported to have been completed right before the American troops invaded Iraq in
2003.
The New York Times thought his ‘ancient tribe fights oppressive invader’ fiction to be “a forgettable piece of pulp” in 2005.
It begins with the narrator, who has been fashioned along the lines of Abraham warning his grandsons of Satan’s hold over Babylon.
Saddam, who was captured by American troops in 2003, and later executed in 2006 by Iraqi authorities, wrote this 186 page novella before his arrest and it has already been published in Arabic, Turkish Japanese and other languages by the titles Get Out, You Damned One, Begone Demons, & Devil’s Dance (translations).
Whether he penned these books himself or a ghostwriter has been at work for the dictator is still unclear. But in the Arab world, where reading and writing skills are held in high regard, Saddam’s books add to his aura.
The Guardian reviewed his first book Zabibah and the King as a “poorly structured piece of fiction with a whiff of dictatorial authenticity”. His next works, The Fortified Castle (2001) and a thinly-disguised autobiographical novel Men and the City (2002), also written under the pen name ‘The Author’, were included in the Iraqi school syllabus before the war began in 2003.
The Guardian review compares the book’s archaic backdrop of the clash between tribes, to modern day relations between US and Israel.
The Hesperus spokesperson told The Guardian that despite the book being controversial, the publishing house remains politically neutral.
While we wait for public opinion on Saddam’s last piece of fiction, one can’t help feel intrigued about its comparison with the blood and gore of The Game Of Thrones, and the political scheming of House of Cards.
Source: The New York Times, Guardian, Guardian
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