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I’ve been waiting to watch a live performance of Russian Romantic era composer Pyotr Ilyich Tchaikovsky’s iconic ballet Swan Lake ever since I was first exposed to it as a 6-year-old student of Western classical piano.
The opportunity finally presented itself on the eve of 22 September, when the Delhi-based cultural association, Navrasa Duende, brought the Ukraine-based Royal Russian Ballet company’s production of Swan Lake to New Delhi.
The weather played spoilsport and I had to splash through what was a little short of the Biblical Flood (by Delhi standards!), before I finally made my way into Siri Fort auditorium on Friday evening.
As I awkwardly stumbled into the auditorium complex in my wet shoes, I was greeted by the strains of Swan Lake’s most famous theme or motif, easily recognisable, even by the uninitiated. When the curtains were raised at 7 pm, what met my eyes was nothing short of a spectacle.
Act 1 of the ballet directed by Anatoliy Kazatskiy, presented the ballroom scene in which Prince Siegfried, played by male principal dancer Jan Váňa, had to choose his bride. Kazatskiy tells The Quint:
Indeed, the willowy ballerinas were able to move even the first-timers, with their careful use of body movement and expression.
No wonder, over a hundred years hence, the ballet continues to have universal appeal.
As the dancers segue into the second act, the mood becomes romantic yet tense as Prince Siegfried, who finds himself in the woods behind his castle, chances upon Odette, the princess-turned-swan, whom he instantly falls in love with. Dressed in sparkly white, Odette is as swanlike as ever, with her nimble-footwork and slender arms gracefully stretching towards the prince.
The lighting is perfect — the various shades of blue, from azure to turquoise, that light up this moment, sits well with the ominous undertone, a hint of ill fortune to befall the prince.
Talking about the main challenge of such a large-scale production, the director says:
The Quint spoke to some members of the audience during the intervals. This is what a Kolkata-based writer had to say:
Sen, who had travelled to Delhi just to watch the show, also said “Odette was captivating and Odile was spectacular.” But it was the court jester who “had her heart”.
As one member of the audience said, many who grew up in the early 2000s were first introduced to the timeless ballet through the 2003 animated film Barbie of Swan Lake on Cartoon Network.
For me, two of the most powerful performances were delivered by the court jester, played by senior dancer Gavryshkiv Andrii and Odile (the ‘Black Swan’) played by prima ballerina Matsak Natalia, who has done over 2,000 shows of Swan Lake around the world.
Humour is perhaps even more difficult to portray, that too on stage, than tragedy. And the court jester totally did justice to his role, doing awe-inspiring leaps and swirls, all the while with a grin on his face. What also struck me was that while two contrasting characters — Odette and Odile – danced with equal grace, they were able to amply convey what they represented — good and evil, through their facial expressions and movement.
A Russian ballet dancer Lada, who was in the audience, told The Quint that while she loved the production, an obvious drawback was the size of the stage.
What stood out for me above everything else was the neat choreography — it was not in the least bit cluttered, and the ballerinas moved with ease, seamlessly transitioning into each sequence.
As the curtain fell, I was left reeling under the spell of Tchaikovsky’s symphonic composition, which was brought to life by 55 swanlike dancers. Indeed, 140 years after it was first performed by the world famous Russian Bolshoi Ballet Company, Swan Lake still casts a spell on you.
Video Producer: Indira Basu
Video Editor: Mohd Ibrahim
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