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In 1959 an agitated and betrayed husband, Kawas Manekshaw Nanavati, a Naval Commander, killed his wife’s lover Prem Ahuja. The incident received unprecedented media coverage and inspired several books and movies. The latest of them all is the Akshay Kumar starrer, Rustom.
The case of Commander KM Nanavati vs State of Maharashtra changed the face of Indian judicial system. It was the last case to be tried under India’s jury system.
The United States and a few European countries make routine use of jury trials even today. Every citizen is expected to serve jury-duty if he/she gets selected as a juror for a case. Once the summons are issued, they are asked to come to court on a particular day, at a particular time. The law states that you must participate and employers can’t prevent employees from performing jury duty. Citizens are selected on the basis of their professional, intellectual and social backgrounds.
Jury trials came to India with the British. The first case decided by an English jury was in 1665, when one Mrs Ascentia Dawes was charged with the murder of her slave, an Indian girl. A jury of six Englishmen and six Portuguese, found her guilty, but she was acquitted because of the ‘meniality’ of the crime. Jury trials gradually became a biased institution, often ruling in the favour of British, ignoring extreme violence and exploitation of Indians.
Before the fateful afternoon of 27 April, 1959, when KM Nanavati armed with his service revolver, barged into the house of his wife’s lover to ask if he would marry her and take care of his children, nobody thought that this case would serve as the final nail in the coffin for the jury trials in India.
The jury-trial of the Nanavati case that inspired as many as five Bollywood films, has been lost to history but it cannot be more relevant than in the context of today’s media trials and ‘honour’ killings.
Accused under section 302, Nanavati was declared not guilty by the sessions court under a jury trial. The verdict was challenged and dismissed by the Bombay High Court and the case was re-tried as a bench trial. When the matter reached the Supreme Court, Nanavati was convicted and was given a life imprisonment on 11 December 1961.
The Nanavati case became India’s first media trial, and it polarised public opinion across the state. Nanavati’s trial receives massive coverage in the investigative weekly tabloid Blitz, which described it as a love triangle. The real-life story of Rustom became the story of an ‘honourable’ murderer, a navy commander, a husband betrayed by his wife. He was honour-bound to fight the ‘enemy’. He was, in other words, a ‘martyr’ to the cause of honour.
Gyan Prakash, a professor of history at Princeton and the author of Mumbai Fables, a book on the popular narratives of Mumbai, was witness to this.
Russi Karanjia, the editor of the Blitz endorsed the cause of a fellow Parsi, igniting huge interest in the case. On every hearing date, crowds would gather at the Mumbai Sessions Court to watch the trial. Men left work and came to watch, women left their household chores, students bunked colleges.
The media frenzy, the public hysteria and cocktail gossip influenced the opinions around the case. Influenced by public support for the culprit, the jury found it hard to filter fact from fiction.
In December 1961, post Nanavati’s conviction by the Supreme Court, PR Lele, Blitz’s constitutional expert wrote an article headlined ‘The President must pardon Nanavati’:
Nanavati spent 3 years in prison, following which the then governor of Maharashtra, Vijayalakshmi Pandit facilitated his pardon and release, in response to a mercy petition.
In a jury that acquitted Nanavati, there was one person that ruled that Nanavati was guilty. Not much has been written about Reginald Pierce but in a rare interview, he once revealed:
The Nanavati case raised the scepticism about jury trials, a system that was already losing appeal. In the 1960s, the jury system was abolished in India.
A lot of academic studies and reports since then have attempted to reflect on the way cases should be adjudged. Rustom is the Bollywood-ised story of one of the most thrilling court cases in India. But it leaves us with the question: what kind of justice is the most suitable for a multi-religious, multi-cultural and multi-class society?
Reflecting on this question as a policy issue, economist and academician Bibek Debroy, wrote:
(At The Quint, we question everything. Play an active role in shaping our journalism by becoming a member today.)