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Long before Ranveer Singh played the Delhi Sultanate leader Alauddin Khilji in Sanjay Leela Bhansali’s Padmaavat as the mercurial monster, late veteran actor Om Puri essayed his role in Shyam Benegal’s Bharat Ek Khoj, the 53-episode Indian historical drama based on the book The Discovery of India (1946) by Jawaharlal Nehru. Both the works of art are based on Malik Muhammad Jayasi’s sixteenth-century epic poem Padmavat.
While we should give credit to Bhansali for the depiction of a strong Rani Padmini unlike the docile queen in Bharat Ek Khoj, the fault lines are evident in the depiction of the tyrant Khliji. Puri’s Khilji and Singh’s Khilji are like chalk and cheese.
A Machiavellian character, Ranveer’s Khilji steers clear of integrity, while Puri’s Khilji does stop and think before he indulges in the unscrupulous act of incarcerating and betraying Ratan Singh. He is polite and cultivated in his mannerisms.
The bisexual insinuations in Khilji’s track from Padmaavat count as firsts in mainstream Bollywood but they are missing in Benegals’ Bharat Ek Khoj. The latter does not even depict jauhar.
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