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The fast-talking New York housewife who discovers a flair for stand-up comedy is back. In its second season, The Marvelous Mrs. Maisel is just as stylish, glib and popping with colours and chaos, but it’s also palpably more self-confident.
Expanded, with two additional episodes (to 10), the new season opens a year after the last episode where Midge Maisel’s (Rachel Brosnahan) secret profession had just been discovered by her estranged husband Joel (Michael Zegen).
Season two opens in department store B Altman. To the tune of Barbara Streisand’s Just Leave Everything To Me, the camera tracks into the basement to reveal Midge in her new job.
While this may be new, other things are not. Midge is still hiding her alter ego – the stand-up comedian, Mrs. Maisel -- from her parents. Her manager Susie Myerson (Alex Borstein) continues to work the phones and use her street smarts in the hope of landing a paying gig and Joel and Midge are still in each other’s orbits.
Back to New York, repack, load the car and the Weissmans head off for their annual summer in the Catskills. The director and camera hardly pause or offer respite. The movements become more choreographed, revisiting the ubiquitous Broadway tenor of season one. As the Weissmans check in for their extended stay at the summer cottage, the direction has stage show feels with many single-take shots and perfectly designed set pieces. The resort also provides a rich setting for quirky characters, opportunities for some situational comedy and the introduction of new players, such as doctor Benjamin (Zachary Levi).
Of the recurring characters, Midge’s two children still appear to be rather neglected, or perhaps Midge just has access to really dependable babysitters. Luke Kirby returns as the popular comic Lenny Bruce and Kevin Pollak and Caroline Aaron are around as Moishe and Shirley Maisel.
Donna Zakowska’s costumes are another returning feature. So vivid and so celebratory of the 1950s that they are often more involving than the incessant and accelerated jabbering.
Rachel Brosnahan has the toughest job. As Miriam ‘Midge’ Maisel she has to learn the monologues and deliver them with aplomb from under a spotlight. Her conversations with Susie are among the most crackling and it’s no wonder that both actresses bagged Emmy wins (best actress and best supporting actress respectively) for their performances.
The two actors that bring a whole lot of frisson to the show are Borstein and Shaloub. If there is one character who deserves a spin-off, it would be the meticulous, idiosyncratic Maths professor Abe. Zegen’s Joel also has a compassionately developing arc.
At the halfway mark, the season was nicely poised with Midge facing various opportunities and threats. As hurried and breathless as it sometimes feels, the first five episodes (shared in advance with reviewers) indicate that there is plenty more to come. And rather than hold one’s breath, it might be advisable to enjoy the flavourful comedy, the colourful chaos and the music infused into Mrs. Maisel’s world, one showcase at a time.
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