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In an industry where you are as good as your last release, it is not surprising that obituaries are already pouring in for Saif Ali Khan’s supposed ‘sinking career’ post the box-office failure of Kaalakaandi – his eighth flop in a row. But that’s not a first for Saif.
Remember the barrage of bad films – Aashiq Awara, Imtihaan, Bambai Ka Babu, Aao Pyaar Karen – he acted in the 1990s, with critics and audiences pulling the noose on him almost unanimously?
Saif’s 25-year career has had ups and down – he has a history of being written off and bouncing back resiliently. If Main Khiladi Tu Anari salvaged him in the 90s, his boisterous energy in Dil Chahta Hai made us gush over him in the 2000s. Omkara established him as a performer par excellence, placing him in the breed of serious actors.
It is remarkable that he has managed to retain his sanity amidst a flurry of sly remarks and unsolicited advice after Kaalakaandi failed to set the box office ringing. But are we jumping the gun in drawing curtains over the Chhote Nawab’s film career? Going by his unusual cine-curve, we sure are.
It will be fair to say that the last five years, post Cocktail, have been particularly harsh on Saif. Unfortunately, these are also the years where he has been at his experimental best.
Sample this: Go Goa Gone, Bullett Raja, Phantom, Rangoon, Chef, Kaalakaandi.
As for Kaalakaandi, Saif is a laughing riot. He is witty, uninhibited and outrageously funny as a debutant druggie in the movie. He mouths sexually explicit dialogues without being sleazy. In fact, the film takes wings every time Nary Singh and Saif share screen space. It’s not just us, Saif’s delightfully trippy act in Kaalakaandi even had the revered Aamir Khan in splits.
And he is not done yet. There is Bazaar and Sacred Games also slated for release in 2018. The latter marks Saif’s foray into the digital arena where few ‘big stars’ have dared to tread.
Bollywood has a penchant for seducing stars into delusion. But Saif’s self-awareness of his craft is endearing. He knows he is not a Shah Rukh or Salman whose films make an easy Rs 300 crore. He accepts he erred big time in Humshakals and that sometimes his choices were backward looking.
But he also wants to do things not everybody else is doing. At 47, he is perhaps rediscovering himself while reigniting his passion for cinema. In one of his recent interviews, he said:
In fact, Saif has exhibited exemplary maturity in dealing with unkind headlines hurled his way. He has not bogged himself down by the pressure of playing larger than life characters on screen, doing things completely incomprehensible at 50 (think Tiger in Tiger Zinda Hai). This makes his self-assuredness appealing albeit to a niche audience.
That Saif has never really been a mass-puller is no secret.
Besides, not every film that makes that kind of money is a good film. We wouldn’t go back to a Dabangg or an Ek Tha Tiger with the same fondness as an Omkara. Neither can we use the Rs-100-crore club as a yardstick for success. A Rangoon not making Rs 100 crore might be a problem because it is made at a budget of 80 crore, but the same doesn’t hold true for films made at a smaller budget. The economics of filmmaking are changing.
Saif may not be your conventional crowd pulling actor, but he is an actor unfettered by box-office numbers. If anything, he must be lauded for choosing the unconventional over the formulaic, especially when the 'superstars’ don’t mind sitting in their cushy zones, serving one insipid dish after another.
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