From Bachchan to SRK: Superstar Superstitions in Bollywood
Everything about the film business that’s more superstitious than filmy.
advertisement
Call them superstitions, quirks or monomania, that’s one mega-anxiety shared by the denizens of Bollywood – right from auspicious dates, numerology and propitious publicity hoarding sites to favourable licence number plates for swishy cars and vanity vans.
From the Bachchans, Lata Mangeshkar and Ekta Kapoor to the newbies, a majority resorts to lucky mascots, gems, colours, charms and regular visits to shrines. Most film families consult godmen on subjects ranging from whether or not they should sign a certain film and even on which day (and at what time) to catch an air flight.
But why single out the nation’s most high-profile movie town for this fear factor? Black cats crossing your path, an accidental walk-through under a stationary ladder, the evil eye – to be warded off with amulets, beads and charms – are commonplace bugaboos. All of us, however rational we may like to believe we are, have our fetishes, finicky aberrations and principles of faith.
Still, no one believes in destiny and luck by chance more intensely than the B-townies do. Defy kismat and even a superstar’s career could go kaput.
Celeb Quirks
Amitabh Bachchan has stated on record that he doesn’t watch ‘live’ telecasts of cricket matches. There was a time when he did and India would lose the match. Instead, he watches repeat telecasts. Incidentally, Bachchan like Ringo Starr of The Beatles, wears a variety of rings on his fingers to keep diabolical elements at bay. And that includes carping critics. An emerald ring is contended to have upped his market longevity ever since 2000.
On the studio sets, Govinda is known to quake and simmer if a visitor is dressed in red. His meals are brought in tiffins, cooked by the family maharaj. According to an apocryphal story, the actor transports his own cattle on trucks for milk during outdoor shoots. Plus, he won’t budge an inch without consulting his guru.
Ajay Devgn seeks the blessings of a guru, whether he is starting a new project or buying a car. Gulzar, to maintain a sense of tranquility at home, has a sizeable collection of Buddha sculptures.
What’s In a Number?
Numerology rules currently. In keeping with the belief in lucky numbers, Ranbir Kapoor has a penchant for the numeral 8, apparent from the licence plates of his cars. Why 8? It is conjectured that it’s because his mother’s birth date is July 8, 1958.
Aishwarya Rai Bachchan and AR Rahman place their faith in 786, the total value of the letters Bismillah al-Rahman al-Rahim. The music composer’s cellphone has 786, while Ms Bachchan, before the demonetisation diktat, was reportedly known to collect currency notes carrying the sequence.
Akshay Kumar is a stickler for 9, sparking the buzz that the actor charges a fee per film which adds up to the number. A trade pundit went to the extent of claiming that his current fee per film is Rs 72 crores, which tote to 9! Could it be? What if his film doesn’t enter the Rs 100 crore club? “That’s why,” the pundit beamed. “He co-produces most of his films, doesn’t he?” Neither will the Padman actor write a word on a blank sheet of paper without topping it with an Om sign.
Tweaking Names
Up or downswing, birth-names are prone to tinkering. Sunjay Dutt was told that the ‘u’ in his first name wasn’t working, at the very onset of his career. Hence, it has been Sanjay thereafter. Irfan Khan dropped ‘Khan’ to add an extra ‘r’, and became Irrfan. Ajay Devgan dropped the vowel ‘a’ in his last name to become Ajay Devgn.
On the heels of the sudden whopper hit status of Sonu Ke Titu Ki Sweety, Kartik Aryan added an extra ‘a’ to become Kartik Aaryan (it’s another story that his birth name is Kartik Tiwari). Before him Rajkumar Yadav, who kicked of with supporting parts, switched to Rajkummar Rao. And what do you know? His fame tickets Shahid and Newton happened. A single or double ‘mm’ for Rajkummar depends on whoever designs the credit titles.
Ayushman Khurana, pretty straight and simple, went consonant happy with Ayushmann Khurrana. Jimmy Shergill, kin to the legendary artist Amrita Sher-Gil, for a touch of difference added an ‘i’ to become Sheirgill. By the way, before quaffing a drink, he sprinkles some drops around him, quite mysteriously.
Of the heroines, Rani Mukerji dropped an ‘h’ from Mukherjee. Of the two Kapoor sisters, Karishma dropped the ‘h’ forever. Kareena changed to Kareina but reverted to the original on being tut-tuted by her father Randhir Kapoor.
Kkkkkk…Movie Titles
Ekta Kapoor and Karan Johar have moved on from their fixation for the letter K in their film titles. But Rakesh Roshan hasn’t, if the fourth edition of his Krrish franchise is anything to go by. Coincidence or not, son Hritik Roshan’s project, produced by Roshan senior but directed by Sanjay Gupta, was titled Kaabil.
For starters, the censor board and protesting fringe groups would not tolerate Padmavati as the title for Sanjay Leela Bhansali’s magnum opus. When it was changed to Padmavat, a numerologist predicted disaster ahead. Ergo an extra ‘a’ was added and the beleaguered film was released as Padmaavat to packed houses.
Lying Low
No contracts, deals or projects are finalised during the season of Navratri, which lasts nine nights and ten days. Once the Ganpati puja and the holy immersion are done with, begins the auspicious time to get on with business. Let’s just say, show business is especially vulnerable to insecurities, responsible for that antique adage, “Fortunes are made and unmade every Friday.” Think twice before premiering a film on Friday 13, or during the fortnight-long Shradh period in September, when prayers are offered for deceased ancestors. Or during the month-long fasting during Ramzan. During these spans, ticket sales dip as they do during the eagerly-anticipated lot of cricket matches.
Areas of Darkness and Light
A steep valley in Goregaon’s Film City is considered to be jinxed ever since several scenes were shot there in 1993 for the big daddy of all flops Roop Ki Raani Choron Ka Raja.
An ancient gnarled tree in Ooty guarantees success ever since Aamir Khan and Madhuri Dixit danced around it for the film Dil (1990). Snag is the convention of dancing around trees has almost gone extinct from the movies.
Most films advertised on a hoarding site offering a wide angle view of Juhu beach have tanked over the decades. The site is now used essentially for consumer products.
Colours Off Screen: Keep Them Basic
And finally, going by the law of averages, Salman Khan has shown up at the myriad court cases in Mumbai and Jodhpur, more often than not, wearing blue jeans and either a white or black shirt. And like his father, Salim Khan, dons a blue stone bracelet. Fingers crossed.
(At The Quint, we question everything. Play an active role in shaping our journalism by becoming a member today.)