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From as far as 50 metres, you could easily miss the patch of land in which white flower petals flutter in the gentle spring breeze. Walk a few steps closer, and you would gasp at the beauty of the flowers that appear like small, fluffy pom-poms: Papaver somniferum or poppy, which the Sumerians called the ‘flower of joy’.
Ram Iqbal’s son Jaswant Singh snaps a slender green stem and holds up a still green pod, ties together four thin metal incisors, and runs the sharp edges down the bulbous fruit – “dhedhi” in the local dialect – and holds it up for us to see a viscous pink-brown liquid ooze out in all its glory. “Yeh hai afeem,” says Jaswant, who holds a Ministry of Finance licence to cultivate opium. This liquid turns blackish-green at harvest time, which will be by the end of March.
Besides Jaswant, there are two other licence holders – Shyamlal Kushwaha and Hairdwar Singh – who live in nearby Noorpur.
Jaswant’s “duss biswa” yields about 9 kg of opium which he sells to the Ghazipur Opium Factory (which also finds mention in the opening pages of Sea of Poppies), built by the East India Company in 1820 to process the drug that would be shipped in wooden chests on crooners to China.
“My grandfather would tell me stories about how most of Ghazipur would grow opium,” Ram Iqbal says in his gruff and hoarse Bhojpuri.
He also recalls stories his grandfather would narrate about indigo plantation in Ghazipur, which falls under the Zamania assembly constituency, and its other adjoining districts.
Ram Iqbal is fully aware of the East India Company’s monopoly over the drug that raked profits in millions of rupees.
“But today, we barely make Rs 50,000 from the legal sale of opium. Profit is minimal. Today, this belt is better known for rice cultivation, which is certainly more profitable,” Jaswant says, turning his face away with a mischievous smile when asked whether some of the opium is sold on the black market.
Besides his democratic duty to vote on 8 March, Ram Iqbal will perform the ritual involving the harvest of opium later that month. The opium pods have grown to a healthy size. The “naharni” (long metal pins with flat but sharp edges) and the “sithua” (in which the opium juice is collected overnight) are being readied. All that Ram Iqbal and Jaswant await is the globular pods to ripen.
Once harvested, the opium liquid and the remnants of the pods will be dispatched to the Ghazipur Opium and Alkaloids factory, where they will be processed before being delivered to pharmaceutical companies in India and abroad, for the preparation of drugs containing narcotine, thebaine, papaverine and codeine phosphate.
But far from being a walled, tranquil processing unit, the opium factory in the heart of Ghazipur town, of late, has become restive. This is primarily because the workers who toil away inside the secure, 43-acre sprawl on the banks of the Ganges, are dissatisfied with the working conditions, poor pay and little promise of advancing up the professional ladder.
The factory’s workers’ committee, of which Omprakash is a part, is aligned to the BJP’s Bharatiya Mazdoor Sangh.
Besides, the workers point out that the factory bosses’ decision to install modern mixture-cum-drying (MCD) machines has reduced the “percentage of morphine” in opium. “The old and time-tested sun-dried method yielded more and better quality morphine”, says Rakesh Singh, who also claims that workers are not given hand gloves, masks and safety shoes to “perform hazardous tasks among chemicals.”
While these human complaints go unheard, the only living beings who have no cause for complaint are the battalions of the workers’ simian friends, who partake in the opium slush, and sleep out the drug-induced haze atop the old banyan trees and red-bricked walls of this British-era souvenir to modern India.
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